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Soon afterwards, it was released as a single and went on to become a World wide smash. He freaked when hearing the song and made sure "Big Fun" was on the LP. Incredibly the tape was then filed away and almost forgotten until months later when UK dance aficionado, Neil Rushton, visited the Motor City to put together a compilation album, "Techno – The New Dance Sound Of Detroit" for Virgin Records. Paris agreed, flew into Detroit, came up with lyrics and "Big Fun" was born. He needed a girl vocalist who could also supply lyrics and his friend Chicago house producer, Terry "Housemaster" Baldwin, suggested Windy City Chanteuse Paris Grey. In 1987 Kevin, then at only 22-year-old recorded a backing track in a makeshift studio stuck in the basement of his apartment. Amazingly, the good life of being one of the World's top dance groups came to them by accident. Whilst most acts have been snubbed out at the onset of the 'next big trend', Inner City have managed to sidestep the trends, making "songs that went on to become classics". Since the beginning, their career has been nothing short of remarkable, not only for their numerous critical and commercial achievements, but also for their longevity.
GLEE UMBRELLA REMIX PLUS
Love" (to name but a few) plus the Spanish re-recording of their 1989 hit "Good Life",(Buena Vida), which became a Number One Club hit in Europe and entered the TOP TEN on the UK Pop Charts. Now in their 19th year together, the duo have proven they are one of dance music’s great survivors with a new dazzling renaissance and they're justifiably proud of a healthy career spanning early pioneering hits like "Big Fun" and "Good Life", "Ain't Nobody Better", through to "Hallelujah", "Pennies From Heaven", "Till We Meet Again", "Do Ya", "You As one of the most important prime time movers in the house and techno revolution of 1988, Kevin Saunderson and Paris Grey have been to the top, struggled and bounced back to the top of the pile. Kevin's biggest achievement to date, and his most commercially recognized project has been INNER CITY, one of the World's most influential Dance acts of all time. Kevin Saunderson's 1988 classic "Just Another Chance" is widely recognised as the earliest example of the use of this. His very first remix for The Wee Papa Girl Rappers "Heat It Up" went on to pick up 'DMC Remix of the Year' in spring 1988.īig Beat & Drum and Bass use techniques such as the "Reese Bass", a distinctive synthesized bass sound comprising layered 'clashing' sawtooth waves. Kevin also pioneered the art of the "REMIX," changing the face of how remixers revamp songs. Kevin has had many other aliases too, such as 'Tronik House', 'The Reese Project', 'EssRay', 'Kaos' and more recently, 'E-Dancer', which he uses to show his versatility at being able to create different facets of Dance music. He introduced acts like 'Kreem', 'Reese', 'Inter-City' (later to become Inner City) and 'Reese & Santonio'. The demand for Kevin as a Producer and DJ was overwhelming overseas, as well as in the States.
Starting out as a DJ, Kevin soon developed new skills that led him into producing records, which he released on his own label, KMS Records. After 2 years, Kevin quit playing football in order to focus on music, so he joined his high school pals Derrick May and Juan Atkins, which unknown at the time would be the move that would help Kevin's career escalate. After leaving school he attended Eastern Michigan University in Ypsilanti, where he played Football. There he befriended two other like-minded students (Atkins and May). He attended Belleville High School (West of Detroit), where his youthful urge to make music had been fuelled. Kevin was born in Brooklyn, New York in 1964, but moved at the age of nine to the place known as the 'Motor City', Detroit. Innovators, Kevin Saunderson is a legend in his own right, who has helped to reshape the future of Dance music as we know it. Respected and acknowledged around the World as one of the three Detroit Techno